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How to Get Professional Audio on the Canon 5D MK II PDF Print E-mail
Articles - Gear
Written by Greg De Stefano   
Thursday, 04 December 2008 10:37

While we work on our full review of the Canon 5D Mark II, I wanted to share a quick tip with you all.  

One of the new factors we photographers, turned cinematographers, need to take into account now is audio. Audio done well can make a video, just as well as audio done badly can really harm you.  The Canon 5D Mark II has a small microphone built in just next to the 5D name plate on the front of the camera.  This microphone is actually pretty good for it's size and location, but it is limited by those factors as well.  Your audio levels will change while your hand is in front of the microphone making focus adjustments, or even just holding the camera steady (which is actually quick tough to do.)

 

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Canon 5D Mark II with Rode VideoMic (The Foam Proboscis)

The easy solution is to take a page from all of the beginning video / cinematographers out there and use an external mic.  I pulled this Rode VideoMicalt out of my video kit and plopped it on the Canon 5D Mark II's hot shoe, connected the mini-phono cable to the mic jack on the side of the Canon, and away I went. The mini-phono jack and hot shoe mount originally made for Mini-DV camcorders makes it a perfect fit for grab and go video shooting on the Canon 5D Mark II. Not to mention the microphone condenser itself is suspended between a web of rubber shock mounts so the mic won't pick up your movements either.

The Rode VideoMicalt costs about $150 and will require a 9V battery (which will give you around 100 hours of run time.) Other than some larger Compact Flash cards, this would be my first buy on my track towards shooting professional videos on the Canon 5D Mark II.

Last Updated on Tuesday, 16 December 2008 11:26
 
Great Travel Cases for Digital Capture Rig PDF Print E-mail
Articles - Gear
Written by Michael Britt   
Wednesday, 03 December 2008 18:38

I was leery at first, to trust the soft sided Tenba Roadshow computer and monitor cases.  We had been using an anvil style case from Jan-Al for Image Mechanics out of town capture jobs.  There is no question that the gear is protected in a hard sided enclosure.  It's designed for a G5 computer with a 23" Cinema display with a small compartment for a few accessories.  A pop up luggage handle and skate type wheels make the old Jan-Al easy to maneuver once you get it rolling.  Lifting it however, is a two person job and because it weighs just under 100 lbs fully loaded, the airlines say it is "their discretion" if it makes it onto the plane.  Another downside to this type of case is that once you arrive at your destination, you have to find a van cab because it won't fit into a regular taxi.  That is the biggest reason we started using the Roadshow cases for air travel.  The computer and monitor are in separate soft sided cases that can fit into most cabs.

Last Updated on Thursday, 11 December 2008 13:35
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Great Laptop Stand PDF Print E-mail
Articles - Gear
Written by Michael Britt   
Wednesday, 03 December 2008 14:03

If you are shooting by yourself or in tight places, you might consider getting one of these great laptop stands.  Here at Image Mechanics we use it for extreme locations and portability.  It is well balanced with a rubber mat that grips the laptop and there are several cool attachments.

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Laptop Stand

Last Updated on Thursday, 11 December 2008 13:33
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Canon 1Ds Mark III Review PDF Print E-mail
Articles - Gear
Written by Michael Britt   
Wednesday, 03 December 2008 12:20

There are many internet reviews that break down every nuance and operation of DSLR's.  Most of these will repeat the camera manufacturers specs verbatim for you as well as post the company press release. Additionally, there are a bunch of sites that talk about how to use the gear to take great action snaps of your cat.  This review isn't going to cover any of that well trodden ground (although it is tempting to post some shots of my dog).  

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I CAN HAVES USB

At Image Mechanics, we deal in high volume commercial digital capture.  We mainly shoot tethered to a computer then we process and deliver thousands of images every day.  When we write reviews, they are slanted towards how the equipment hinders or aids us in this task.  With a few minor exceptions, the Canon 1Ds Mark III definitely falls into the later category.

Last Updated on Thursday, 11 December 2008 13:40
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