Banner
Announcing Image Mechanics Expo - Collision Conference PDF Print E-mail
Written by Adam Kleifield   
Thursday, 09 July 2009 11:52

IM_Expo_badge

We are proud to announce the premiere Image Mechanics Expo - Collision Conference!

The collision between stills and motion has happened. Mainstream magazines like Esquire and W used a digital motion picture camera for still assignments. Advertising clients have already started requesting that photographers start to deliver video content in addition to still imagery. Photo journalists are finding that they must shoot multi-media to remain relevant. Commercial directors are being asked to provide still images for print and billboards.   "Living Movie Posters" are being used to promote feature films.  In the motion world, hybrid DSLRs are being used to capture footage on blockbuster features like Terminator Salvation and launching a whole new class of indie filmmakers. Music video directors are finding these hybrid cameras a perfect fit for creative shoots on a budget.

Because so many photographers were unprepared for the first wave of the digital revolution, we created the Collision Conference as a way to help savvy photographers and cinematographers stay ahead of this trend and not become roadkill.

Get all the juicy details at http://www.imagemechanicsexpo.com

Last Updated on Thursday, 09 July 2009 12:45
 
Why You Thought Your Tablet Sucked The First Time You Tried It (And how to fix it) PDF Print E-mail
Written by Tom Stratton   
Tuesday, 05 May 2009 12:39
The first time you tried to use your Wacom tablet with Photoshop you were probably wondered what all the fuss was about. Clicking on the menus was hard and your efforts to paint resulted in lines that were never quite right. Relax - the problem isn't with you, or with the Pen, it's a problem with Photoshop itself (at least from a Photographer's point of view!).

Pens should work best when you're painting and when I paint in Photoshop its usually on a layer mask or when cloning (are there any other uses for a pen :-). Either way, I don't want my lines changing size while I'm trying to paint! What's happening is that Photoshop is prepackaged with brush settings that favor people who want to paint pictures with their pens - I don't know why they don't just call it Painter-Shop because you'd think that photographers weren't supposed to be using it... Fortunately, the solution is pretty simple. Open up your brushes palette and make a few simple changes and you might just start to fall in love with your pen after all.

(I'll be showing screen shots from CS3 - it all works pretty much the same in every version since CS, but remember that the Adobe gods will be very upset if you call them palettes if you are using CS4 - they're panels now!)

Default_Palette

This is the what you get when you install Photoshop (except for the color I've added so that you will...) notice that the pretty preview of what a brush stroke is going to look like gets bigger and smaller. Hmmm, not much use to me - let's fix that. If you're wondering how to find your Brushes Palette go to the "Window" menu and select "Brushes".

1. Check the box next to "Shape Dynamics" to turn it off (so that it won't change size any more)
2. Click on the words "Other Dynamics" to turn that option on and allow you to modify the settings
3. Change the "Opacity Jitter" Control to "Pen Pressure" and then do the same for the "Flow Jitter" (as shown on the left side of the screen shots below)
4. Click on the words "Brush Tip Shape" and change the spacing to "20%" (as shown on the right side...)
5. Click on the box next to "Airbrush" to turn that option on.
6. Click the locks next to all the settings to make sure that changing brushes doesn't mess you up (more on this in a minute)

Changed_Palette


Now when you try to paint with your brushes you will find that the flow of "ink" can be easily controlled with the pressure of the pen and that your experiences are a lot more in line with what you were expecting. You may also find that you want to change either the Opacity or Flow controls from "Pen Pressure" to "Off" for an experience that better matches the way you use the Pen. Do a little experimenting to see what works best for you and don't forget to modify both the Opacity and Flow of your Brush (in the Option Bar - see below).

Brush_Option_Bar

Caveat Emptor

By "locking" all the options you will not get dumped unceremoniously back to using a brush that changes in size instead of in "density". The "locks" keep the settings that you have made from being changed when you switch to a different brush (using either the Brushes Palette or the context menu). If you don't lock the settings then you have to reset them every time you switch brushes! If you regularly use different brushes or paint something other than layer masks you may get frustrated by locking-up all the brush dynamics. In that case you will need to create custom brushes for use with your pen (maybe that will be a topic for another day)

OR - you can download a set of brushes that I have modified for you! I simply recreated the first 18 brushes that appear in the preset list, but with pen-friendly dynamics. Just download my brushes and then load them into Photoshop. If you are savvy enough to have a lot of custom brushes, then I trust that you can figure out how to install them for yourself. If, like most people, you have never modified any of your brushes since installing Photoshop then you can follow the instructions below which will put the custom brushes at the top of your presets, making them easier to use.

Load_Brushes

1. Use the fly-out menu on the Brushes Palette (see red circle above) and select the "Replace Brushes..." command. Note - this will delete all your current brushes so DON'T DO THIS IF YOU HAVE ANY CUSTOMIZED BRUSHES THAT YOU DON'T KNOW HOW TO REPLACE!
2. Navigate to the "Pen Friendly Brushes.abr" file that you just downloaded and load it.
3. Use the same fly-out menu to choose "Reset Brushes..." - this will allow you to reload all the brushes that shipped with Photoshop.
4. In the dialog box that appears choose "Append" to add the default brushes after the custom brushes.

That's it - now you will see two seemingly identical sets of brushes at the beginning of your Brush Palette - the first 3 rows contain the customized "Pen Friendly" brushes and the rest of the brushes are the standard Photoshop brushes. Maybe you'll find a good use for that maple-leaf brush one day!

Finished_Brushes_Palette
Last Updated on Tuesday, 05 May 2009 14:16
 
How to Get Professional Audio on the Canon 5D MK II PDF Print E-mail
Written by Greg De Stefano   
Thursday, 04 December 2008 10:37

While we work on our full review of the Canon 5D Mark II, I wanted to share a quick tip with you all.  

One of the new factors we photographers, turned cinematographers, need to take into account now is audio. Audio done well can make a video, just as well as audio done badly can really harm you.  The Canon 5D Mark II has a small microphone built in just next to the 5D name plate on the front of the camera.  This microphone is actually pretty good for it's size and location, but it is limited by those factors as well.  Your audio levels will change while your hand is in front of the microphone making focus adjustments, or even just holding the camera steady (which is actually quick tough to do.)

 

  alt

Canon 5D Mark II with Rode VideoMic (The Foam Proboscis)

The easy solution is to take a page from all of the beginning video / cinematographers out there and use an external mic.  I pulled this Rode VideoMicalt out of my video kit and plopped it on the Canon 5D Mark II's hot shoe, connected the mini-phono cable to the mic jack on the side of the Canon, and away I went. The mini-phono jack and hot shoe mount originally made for Mini-DV camcorders makes it a perfect fit for grab and go video shooting on the Canon 5D Mark II. Not to mention the microphone condenser itself is suspended between a web of rubber shock mounts so the mic won't pick up your movements either.

The Rode VideoMicalt costs about $150 and will require a 9V battery (which will give you around 100 hours of run time.) Other than some larger Compact Flash cards, this would be my first buy on my track towards shooting professional videos on the Canon 5D Mark II.

Last Updated on Tuesday, 16 December 2008 11:26
 
Color Calibration PDF Print E-mail
Written by Michael Britt   
Monday, 17 November 2008 16:06

At this point in history, we are all digital photographers. Whether we shoot film and have it scanned or capture direct to digital, almost all images will be judged and/or manipulated on computer monitors in their production cycle. Unfortunately, there is still a lot of confusion about proper color management and your images stand a good chance of being edited on a out-of-date or improperly calibrated monitors and will often be converted or tagged with incorrect color spaces. The only real protection you have as a photographer is to properly color manage using industry standards. A good place to look for standards is http://www.updig.org. They have set up some guidelines for how digital images should be viewed, delivered and printed. These guidelines still leave some room for interpretation so based on my experience working with top photographers and from delivering digital files to ad agencies and magazines, I can offer a more specific answer.

Last Updated on Monday, 04 May 2009 14:39
Continue Reading 'Color Calibration'...
 
<< Start < Prev 1 2 3 Next > End >>

Page 1 of 3